Stone Nest
20th–23rd March 2024
An immersive production of the Stabat Mater by Giovanni Battista Pergolesi (1710-1736)
performed by women of multiple generations
with interludes (commissioned by Figure) by Alex Mills
Frederick Waxman Musical Director/Creative Producer
Sophie Daneman Director
Alex Mills Composer
Chris Burr
Lighting Designer
Philip Barrett Assistant Producer
Dame Emma Kirkby Soprano
Catherine Carby Mezzo-soprano
Rowan Pierce Soprano
Alexandra Achillea Pouta Mezzo-soprano
Nadya Pickup Soprano
Oliver Cave Violin
Yaoré Talibart Violin
Thomas Kettle Viola
Samuel Ng Cello
John-Henry Baker Double Bass
Sergio Bucheli / Jonatan Bougt Theorbo
Makoto James Répétiteur
"[Figure's] reimagination of Pergolesi’s Stabat Mater has a timeless directness and simplicity"
★★★★ The Guardian (Tim Ashley)
"Sophie Daneman’s direction had many touching ideas, as when the simple shaking of a silk scarf came to represent our own redemption."
★★★★ The Observer (Fiona Maddocks)
"The singing was exceptional throughout, as the voices combined in different combinations, exploring the anguish in its highly chromatic lines, and the staging was elegantly restrained."
★★★★ The Arts Desk
"Sophie Daneman directed the production beautifully; the ensemble Figure excelled throughout, moving with chameleon-like ease across the Pergolesi/Mills divide."
Seen and Heard International
"The piece itself has been expanded with a prelude and interludes by Welsh-born composer Alex Mills, in which rhythmic and melodic fragments from the original morph into passacaglias and threnodies that have a timeless directness and simplicity."
★★★★ The Guardian (Tim Ashley)
"All five performers were impressive, engaging and distinctive, and each brought their own sense of style to the music."
Planet Hugill
"The singing is lovely. Kirkby can be extraordinarily touching, her voice now suggesting fragility as well as beauty."
★★★★ The Guardian (Tim Ashley)
A production of William Shakespeare's much-loved comic play (1595-6),
accompanied by Felix Mendelssohn's enchanting incidental music (1826 & 1842)
Sam Rayner
Director
Frederick Waxman Musical Director & Co-Producer
Philip Barrett Co-Producer
Emma Hollows Designer
Edward Saunders Lighting Designer
Jessica Burrage Associate Director
Ray Fearon Oberon/Theseus
Anna Leong Brophy Titania/Hippolyta
Joelle Taylor Puck/Philostrate
Johan Munir Demetrius
Eleanor Sutton Helena
Emmanuel Olusanya Lysander
Hannah Rose Caton Hermia
Jay Mailer Bottom/Fairy
Gail Sixsmith Quince/Egeus/Fairy
Jordan Laviniere Flute/Fairy
Susie Coutts Snout/Fairy
William Edden Snug/Fairy
Joyce Henderson Starveling/Fairy
Rowan Pierce First Fairy (soprano)
Madison Nonoa Second Fairy (soprano)
Chorus
(also including children from
Theatre Peckham
Academy Glee Club)
Claire Ward Soprano
Danni O'Neill Soprano
Emma Roberts Mezzo-soprano
Laura Fleur Mezzo-soprano
Lorna Price Mezzo-soprano
Lydia Shariff Mezzo-soprano
Rebecca Leggett Mezzo-soprano
Rosamond Thomas Mezzo-soprano
Ben Christopher
Children's Chorus master
Makoto James
Répétiteur
Production team
Florence Breitstadt Company Stage Manager
Rachel Leveney Deputy Stage Manager
Olivia Zerphy Casting Associate
Amy Bentley Assistant Designer
Farha Quadri Casting Assistant
14th-15th March 2023
An immersive production of
Membra Jesu nostri patientis sanctissima
by Dieterich Buxtehude (1637-1707)
Frederick Waxman Musical Director/Co-Producer
Philip Barrett Movement Director/Co-Producer
Chris Burr Lighting Designer
Joshua Tabti Animations & Artwork
Claire Ward Soprano
Katie Macdonald Mezzo-soprano
Tom Lilburn Countertenor
Michael Bell Tenor
Hugo Herman-Wilson
Baritone
Dominika Fehér Violin & Treble Viol
Emilia Benjamin Violin & Treble Viol
Emily Ashton Cello & Tenor Viol
Chris Terepin Bass Viol
Kate Brooke Double Bass and Violone
Jonatan Bougt
Theorbo
"a display of real quality... [Figure] gave us that whole-hearted performance, enveloping us in glorious sound.”
★★★★ The Times (Rebecca Franks)
“all the signs are that Figure could become a distinctive fixture on the scene.”
★★★★ The Times (Rebecca Franks)
"Throughout the blend of instrumentalists and singers is perfect. Together they produce thrilling variations in sound."
The Reviews Hub
"Being able to stand so close to them allows us to see the singular expressiveness of the singers, the quiet absorption of the instrumentalists."
The Reviews Hub
"The result was highly communicative, and the moments when singers were near you came over as them singing both to you and for you."
Planet Hugill
"The audience was also of interest, as it was very different from the usual London early music audience"
Andrew Benson-Wilson
Saturday 12th November 2022
Marc-Antoine Charpentier (1643-1704)
Messe pour les trépassés (Mass for the departed), H.2
Prose des morts (a setting of the Dies Irae), H.12
Gabriel Fauré (1845-1924)
Requiem in D minor, Op.48
Poetry and Prose
by writers including Dante, C. S. Lewis, Alice Oswald, and Philip Larkin
Donald Macleod Reader
Rowan Pierce Soprano
Ashley Riches Bass-Baritone
Frederick Waxman Musical Director/Co-Producer
Philip Barrett Co-Producer
Ana Beard Fernández, Claire Ward Soprano
Katie Macdonald, Alex Pullinger Alto
Harry Grigg, Philip Barrett Tenor
Hugo Herman-Wilson, Tristan Hambleton Bass
The Indiependent
The Reviews Hub
Thursday 30th June 2022
A new production of
Serse
(1738)
by George Frideric Handel (1685-1759)
Frederick Waxman Musical Director/Producer
Sam Rayner Director
Emma Hollows Designer
Chris Burr Lighting Designer
Philip Barrett Associate Producer
Cecelia Hall Serse
Sarah Tynan Romilda
James Laing Arsamene
Anna Cavaliero Atalanta
Timothy Nelson Elviro/Ariodate
“Musically, under the stylish direction of Frederick Waxman from one of two harpsichords, there was already a lot to admire.”
Hugh Canning, Opera Magazine
“fantastically detailed storytelling… [with a] consistent buoyancy of playing. Figure clearly has good ideas, good musicians and good support, so expect to see more of them.”
Erica Jeal, The Guardian
“Waxman conducts with warmth and energy, always attentive to change of pace and dynamics.”
The Reviews Hub
“Figure makes a heavenly sound... charming ensemble work, marvellous natural rapport with each other, and us.”
British Theatre Guide
“It is evident throughout that the whole cast is having a great time with Serse - fantastic when watching a comic opera… Waxman is outstanding… creates a wonderfully authentic sounding ambience… This is a performance that is a tremendous success.”
Broadway World
“Its musical qualities cannot be faulted… Musically this was one of the best events I have attended for some time.”
“Figure aims to represent the rising generation of historical musicians, and it is this freshness which makes for a stand-out production… A superb ensemble of singers, actors, and orchestral players… A vibrant, thoroughly entertaining production.”
Jane Darcy, The Reviews Hub
Tuesday 23rd November 2021
Serenade No. 10 for Winds in B flat major 'Gran Partita', K 361
Frederick Waxman Conductor
Leo Duarte*, Oonagh Lee
Oboe
Katherine Spencer*, James Maltby Clarinet
Emily Worthington*, Louise Strickland Basset Horn
Joe Qiu*, Mark Wilson Bassoon
Isaac Shieh*, Peter Moutoussis, Anna Drysdale, Daniel de Souza Horn
Carina Cosgrave Double Bass
* Principal
“Compellingly responsive and exuding sheer enjoyment… The overall effect is to leave one speechless.”
“The exuberant Frederick Waxman, a young conductor of exceptional vitality, warmth and musicianship.”
Jane Darcy, The Reviews Hub
Friday 17th September 2021
New Paragraph
St John Passion (1724) by Johann Sebastian Bach (1685-1750)
Frederick Waxman Conductor
Richard Robbins Evangelist
Tristan Hambleton Jesus/Bass
Thomas Lowen Pilate
Claire Lees Soprano
Emily Jane Gray Alto
Hugo Hymas Tenor
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Best wishes,
Philip Barrett
Co-Artistic Director, Figure